R.O.S.A. K.T.T. Data_Noise

Sleaze ART
(bass unit)

Déperdition Convergence Inoculate? BassComputer INERT/E My Daily Noise
Kasper T. Toeplitz
composition, noise, bass, computer

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13-17 may 2015


a 5 days-long, all day long, continously evolving bass sculpture played in(un)- real time
WRO biennale Wroclaw, Poland


18-23 may 2015

Toeplitz, Ozog, Kuzniak trio
Polish tour

a small tour in Poland with Maciej Ozog and Bartlomiej Kuzniak :
18 - Wroclaw, 304 brunch / cafe
19 - ...
20 - Warszawa, MOZG
21 - Lodz, Muzeum Sztuki
22 - Torun,Centrum Sztuki Wspolczesnej Znaki Czasu
23 - Poznan, LAS


New CD just out
composed by FRANCISCO LOPEZ for electric bass and played by KASPER T. TOEPLITZ. on Important Records.

Untitled #274 was composed by Francisco Lopez and and performed by Kasper T. Toeplitz at GRM Studios in Paris, France.

Francisco López is internationally recognized as one of the major figures of the sound art and experimental music. For more than thirty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from the limits of perception to the most dreadful abyss of sonic power, proposing a blind, profound and transcendental listening, freed from the imperatives of knowledge and open to sensory and spiritual expansion.

Kasper T. Toeplitz has worked with academic research organizations, such as GMEM, GRM, IRCAM, and Radio-France, as well as with experimental musicians, such as Éliane Radigue, Zbigniew Karkowski, Dror Feiler, Tetsuo Furudate, Phill Niblock and Art Zoyd . Citing Giacinto Scelsi and Iannis Xenakis as influences, his early work was mostly written for traditional instruments.

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